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Simon Winegar

Winds from the West 24x35 Oil

Sunset Reflections 5.5x5.5 Oil

Scruboak and Evergreen 36x24 Oil

Scruboak and Evergreen 36x24 Oil

Fire by the Water 26x44 Oil

Cottonwood Copse 12x24 Oil

Summer Showers Gone By 12x24 Oil

Springness 30x40 Oil

Moving On 30x48 Oil

Winter Storage 6x6 Oil

Three Redheads 10x10 Oil

As the Storm Gathers 48x48 Oil

Revenant of the Hills 40x48 Oil

Country Road by Simon Winegar 20x20 Oil

Country Road by Simon Winegar 20x20 Oil

Garden City by Simon Winegar 12x24 Oil

Garden City by Simon Winegar 12x24 Oil

The Farm: A True Love Affair by Simon Winegar 40x48 Oil

The Farm: A True Love Affair by Simon Winegar 40x48 Oil

Old Main Park City 36x48 Oil

Old Main Park City 36x48 Oil

Metal Roof and a Fence Line 16x20 Oil

Western Winds 48x60 Oil

Tree Wars 18x24 Oil

Holding Onto The Season 24x48 Oil

X-618 16x12 Oil

UP150... 150 Years 12x24 Oil

Trestle Crossing 25x49 Oil

Red Valley 9x24 Oil

Open Door 12x24 Oil

Old Number Eight 21x48 Oil

Monte Cristo 16x36 Oil

Metamorphosis 24x48 Oil

Iron Horses 24x48 Oil

Holding Onto The Season 24x48 Oil

High Jack the Twenty 29x59 Oil

Heading East 12x24 Oil

Copse 24x48 Oil

A Wild Red Tree 24x48 Oil

A Damp Fall 36x48 Oil

Western Falls 24x36 Oil

UP8551 6x6 Oil

UP26 24x24 Oil

Three Pines 24x36 Oil

The Road Through 9x12 Oil

Reds on Blue 48x24 Oil

Redheads 30x40 Oil

Red on the Pond 12x16 Oil

Red on Purple 30x30 Oil

Passing Trains 12x24 Oil

Pacify 11x14 Oil

One Red One 24x18 Oil

Number 8 8.5x30 Oil

Hills of Gold 24x20 Oil

Fall Color Display 13x36 Oil

Diverse Neighbor 9x30 Oil

Bowl ... Apple 12x9 Oil

Boat Backs 16x24 Oil

Big Cottonwood Canyon 24x48 Oil

A Long Line of Containers 18x24 Oil

Twisted 30x10 Oil

Trio of Bloomers 18x24 Oil

To Ogden 12x16 Oil

Secondary Triad 12x9 Oil

Near Fish Lake 30x24 Oil

Mountain Shadows 48x48 Oil

Lone Sentinel 48x24 Oil

Fall Field 11 x 14 Oil

Cloud Formation 20x20 Oil

Buildup 14x11 Oil

Anvil 12x16 Oil

Lavender Poem 8 x 10 Oil

Along the Waters Edge 30x40 Oil

Red Grove 8x10 Oil

Sike Up Railroad Engine 11x14 Oil

A Damp Fall 36x48 Oil

Golden Things 36x48 Oil

Monte Cristo 36x36 Oil

Red Soliloquy 38x48 Oil

Old Main at Night 16x20 Oil

At Dock's House 24x48 Oil

Early Fall on the Wasatch 36x48 Oil

City of Trees 20x16 Oil

The Man of the House 12x12 Oil

A Thought of Frost 30x40 Oil

Whipped Cream on Top 18x24 Oil

Side Slider 12x24 Oil

Last Light Paradise 24x48 Oil

A Cold Supper 36x48 Oil

Thunders 12x24 Oil

Alpine Vista 15x30 Oil

Fields of Gold 18x24 Oil

Fall Copse 6x8 Oil

Fall Copse 6x8 Oil

SIMON WINEGAR

“Creating moods that are often romantic and thought provoking, Simon Winegar’s tonalist landscapes are meant to provide collectors with a view of the world that runs counter to some of the more negative versions of it that are found in today’s culture. Sometimes it seems like we live in an ugly, unforgiving world,” says Winegar. “So the point of what I do is to attempt to beautify the world. I want to create a mood that moves the viewer.” American Art Collector, March 2008
Simon Winegar was born in Utah in 1979 and grew up in the suburbs of Salt Lake City. Believing to be an artist since birth, some of his first memories are of Crayola crayons and Watercolor paints. “Not a Christmas went by that we kids didn’t get a new set of watercolor paints and pad of construction paper. My mother, though not a professional artist herself, is really the one who planted the seeds of art in our minds at a very young age. I also owe some of my early beginnings to my older brother Seth. We spent much of our free time drawing and painting, since he was older, he was always a little more advanced than I was. I learned a lot from him, as he learned from others. His road to becoming an artist helped me understand art processes, as much through his mistakes as through his successes.” Simon also feels that he owes much of his education to personal study and workshop classes. “I read a lot. I think finding great art books, and applying what they teach, can be one of the greatest tools at an artist’s disposal. It enables an artist to ponder and review over and over again the fundamentals and philosophies of art. What better way to excel than by standing on the shoulders of the giants that have gone before us?”

Since entering the market in 2000, Winegar’s work became at once respected and honored. He has been featured in many magazines, books and art venues that have shown his work in a light of professionalism and quality. His work shows in some of the most respected galleries in the United States and has been seen in almost a dozen one-man-shows to date. Winegar’s art has also adorned the walls of the Springville Art Museum, The Museum of Church History and Art and the International Museum of Contemporary Masters of Fine Art.

While known mostly as a landscape painter, Winegar doesn’t limit himself to this subject alone. He can be seen painting figure, still life, seascape, and historic works of art--anything that inspires him. “There is so much to learn and explore in the world, I don’t see why anyone would limit themselves artistically without a good reason. I think it is important to try new things and always be growing as an artist. Without this continual stimulation and growth, the artistic mind becomes stagnant.”

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